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The Sword and Scabbard: Thieves and Thugs and the Bloody Massacre In Boston, by Allen Woods
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The streets and taverns of Boston before "The Bloody Massacre" were filled with brawls and scrapes, hot words and cold calculations. Firebrands like Samuel Adams claimed high revolutionary ideals for the Sons of Liberty, while John Hancock and other welltodo merchants found smuggling very rewarding. The Tory lords stuffed their pockets with silver and scorned the rude Americans and their democratic ideas. Informers worked both sides of the street while crowds of itinerant, unemployed sailors and dockworkers ruled the streets and intimidated Customs officials with beatings and hot tar. Nicholas Gray and Maggie Magowan run The Sword and Scabbard, a North End tavern which is home to both criminal and political intrigue. They view the politics of the time with a cynical eye but are eventually caught up in the conflicts. Finally, Nicholas must choose between saving himself and crippling the march towards the Revolution.
- Sales Rank: #3624370 in Books
- Published on: 2015-01-02
- Released on: 2015-01-02
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .79" w x 5.83" l, .92 pounds
- Binding: Paperback
- 348 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
Adventure and Realism on the Road to Revolution
By HistoryGeek
When we first meet Nicholas Gray (not his real name), protagonist of Allen Woods’ historical novel The Sword and Scabbard, he is still shy of thirty but has received enough knocks from life to make him wary of where he walks and pragmatic to the point of cynicism.
The year is 1766. Gray has taken an unintended and roundabout route to the colonies from his birthplace in Oxford, where he was orphaned at eleven. Deriving little joy when working as a maltreated child servant in London or from being pressed into the Royal Navy at sixteen, he survived the Battle of Quiberon Bay and began Caribbean patrol duties on his ship, the Dover. Bad dreams and a constitutional dislike of taking orders disinclined him to continue that life. Unfortunately, Gray’s escape from His Majesty’s Service in Kingston Harbor has now left him a double candidate for hanging, whether on account of desertion or murder. Stowed away in the hold of a molasses ship, when he arrives in Boston, he learns that the Dover has foundered in a storm. With all aboard who might know of his crimes reported lost, Gray sees a chance to start life afresh, with a clean slate.
Social, economic and political unrest are already rife in pre-revolutionary Boston. Almost everyone, from rich to poor and in every walk of life, seems to be on the make. Since many are also aggressively inclined, Gray must continue look over his shoulder and into the shadows whenever he traverses the harbor’s dark alleys. And these are to become his regular hunting ground as he continues to skirt the law, searching for a personal sweet spot within Boston’s murky but lucrative web of smuggling and customs avoidance.
Nicholas has also quickly found legitimate work and begun serving – in more ways than one – former moll and blue-eyed Widow McGowan, who holds the license of the Sword and Scabbard tavern at the North End of Boston Harbor.
More drawn to Maggie than he feels comfortable to admit, Gray’s reticence to signal commitment to more than the pleasures of his landlady’s bed creates an awkward push-pull in their developing relationship; a dynamic also mirrored by his unwillingness to throw in his lot with revolutionaries when wooed by the Sons of Liberty.
Since he is even less inclined to cozy up to Tories and the rich Boston merchants and customs officials who are variously lining their pockets, Gray continues to opt for an independent path of small-time crime. His intelligence, experience and personality make him a natural leader for a motley coterie that has collected around The Sword and Scabbard, and with whom he haltingly builds some sense of loyalty to ‘family’.
Gray tries not to tangle with trouble, but it has a habit of finding him. He makes unsavory and dangerous new enemies and, when his Sugar Islands past also catches up with him, his personal drama explodes, just as Boston lurches toward a conflagration that will set the Revolution alight. In such a rapidly polarizing and violent environment, Nicholas Gray must come down off his fence and decide which camp and relationships he intends to serve.
I found Allen Woods’ first historical novel both entertaining and educational. Woods is a freelance writer and editor, and his technical skills show to great advantage in a tightly written and well-paced story. He also displays detailed knowledge and an impartial perspective while interweaving political, social and economic threads into a complex tapestry of New England on the edge of revolution.
Woods manages to create convincing context while avoiding the pitfalls of serving up a dry lesson in US history. His evocative pen pictures of Boston’s late 18th-century harbor world are matched by equally deft descriptions of believable, if not always endearing, characters.
On occasion while reading The Sword and Scabbard, I found myself wanting to shake Nicholas Gray and challenge what felt like a stubborn, at times verging on deliberately obtuse, illiteracy in matters of the heart. The novel grants only an occasional, and relatively restrained glimpse of feminine perspectives, but I suspect that the two women who succumbed to Gray’s physical charms may also have felt more than once like screaming at him to wake up.
Of course, eleven years old is too young to be orphaned in any place or period of history, and we know Gray has led the kind of existence that gives him reason, if not a continuing excuse, to remain suspicious in the face of proffered affection. He also acknowledges his shortcomings. So any such discomfort with the protagonist speaks to my natural bias rather than to the integrity of the story. Allen Woods brings his characters and scenes powerfully to life through Gray's first person accounts of external appearances and pragmatic assumptions about how and why the people around him behave and interact as they do.
This novel begs to be read by all who enjoy a cracking good yarn, with a central protagonist willing to put himself in the way of all manner of physical danger, while remarkably reserved when it comes to running risks with his heart.
The Sword and Scabbard also represents a view from the docklands and from ‘the little people’, accompanied by a balanced overarching perspective on pre-revolutionary society that is often missing from historical accounts I have read and seen. As such, it provides a realistic and refreshing antidote to some excessive portraits of idealism, heroism and even occasional saintliness among the early instigators of revolution.
3 of 3 people found the following review helpful.
Historical Fiction May Not Be My Genre
By Literary R&R
Charlene's Review:
Set prior to what we now refer to as the "Boston Massacre", Mr. Woods introduces us to Nicholas Gray, a small crime, bar tending fugitive. Having deserted the British Navy, he has changed his name and is in hiding. He resides with bar owner, Maggie, and together, they run "the Sword and Scabbard". On the streets around them, trouble is never far away, as redcoats and the Sons of Liberty clash in a political offensive amid economic and societal issues.
I wish I could tell you that I learned a great deal about this time in history, and that is not because Mr Woods did not have the information, or the ability to tell it. Unfortunately, my historical radar has never been clear, and I glossed over quite a bit. My focus in this novel was more on the relationships and persons of Nicholas and Maggie, as well as the surrounding characters that brought a softer reality to the tale. The complexity of the characters and their flaws and weaknesses made them even more real. I even loved the secondary characters of Mouse and Julius for their quiet support working in the background.
The Sword & Scabbard is the first in a series of novels that will follow Nicholas and Maggie through the Massacre up until the Constitution. Mr. Woods took on a daunting task, retelling the days leading up to Revolution. Historical fiction may not be my genre, but there is so much more in this novel.
4 out of 5 stars
*A physical copy of this book was provided via Authoramp in exchange for an honest review.
1 of 1 people found the following review helpful.
Outstanding Historical Fiction
By Old Warden
Excellent book! Set in Boston in 1766, this is a historical fiction novel about a young man, Nicholas Gray, trying to make a go of it in America. Gray has been knocked around in his early life, and finds himself as a bartender in a simple saloon in pre-revolutionary Boston. His adventures follow the beginning of the American Revolution. Woods does a great job of weaving the central characters of the time into the story, and introduces the reader into parts of our history that were not taught in school. His character development is outstanding! Regarding the main subject, Mr. Gray, I found myself at times feeling sorry for him, or admiring him, or disappointed in him, or wanting to wring his neck. But at no time did he bore me. The other characters, the famous and the "common folk" were interesting as well.
This is the first of a series of books that Woods is writing about the American Revolution. I, for one, am eagerly awaiting the next installment. If you are at all interested in American history, I believe that you will love this book!
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